We provide visual and sound post-production services either in-house or in cooperation with our reliable partners based directly on the studios' lot.

Telecine
Telecine

 

Visual Post-production

Along with cutting-edge equipment, we offer the experience and expertise to ensure that the highest standard of quality is met in our studios. With our top class partners at Cinepost company we can arrange 2K/4K scan, laser burn from data into film, digital camera files processing, Baselight color grading on 7m wide screen, on-line & off-line editing, DCP mastering, digital retouch and restoration. Telecine transfer services are provided in-house.

TELECINE TRANSFERS

Telecine The Spirit HD film transfer facility provils the transfer of all standard film formats to a wide range of digital carriers (up to the HD standards), thanks to the high level of professionalism and long-term experience on the part of our operators this facility also offers color corrections of the highest quality. We offer a modernized screening room equipped with leading-edge technology for objective control of image and sound as well.

SPIRIT HD Telecine

  • POGLE REVOLUTION color corrector with both primary as well as secondary color correction
  • Transfers possible for all accessible formats in either HD (High Definition) or SD (standard definition)
  • Supported film materials: negative, positives, imps, combined copies
  • Supported film formats: Super 35mm (2perf, 3perf, 4perf), Academy 35mm (2perf, 3perf, 4perf), Super 16mm, Normal 16mm
  • GRACE film grain and noise reduction
  • Reader for key codes from raw film footage, including Arri and Aaton codes
  • Recording possible in all accessible SD tape formats (PAL and NTSC): Digital Betacam, Betacam SP, DVCAM, mini DV, VHS, S-VHS
  • HDCAM and HDCAM SR tape recording
  • Uncompressed SD and HD recordings in data format on hard disk
  • Color correction for materials from RED digital cameras
  • Audio synchronization from DAT, CD and DVD carriers
  • Insertion of logos in images for invalidation purposes (copyright protection)
  • HD to SD format conversions and vice versa
  • Format conversions for 16:9 and 4:3 as well as vice versa
  • HD and SD digital projections

URSA DIAMOND Telecine

  • POGLE PLATINUM color corrector with both primary as well as secondary color correction
  • Transfers in SD (Standard Definition) format -- PAL /NTSC
  • Supported film materials: negative, positives, imps, combined copies
  • Supported film formats: Super 35mm (only 4perf), Academy 35mm (only 4perf), Super 16mm, Normal 16mm
  • MNR 11 film grain and noise reduction
  • Reader for key codes from raw film footage, including Arri and Aaton codes
  • Recording possible in all accessible tape formats (PAL and NTSC): Digital Betacam, Betacam SP, DVCAM, mini DV, VHS, S-VHS
  • Audio synchronization from DAT, CD and DVD carriers
  • Insertion of logos in images for invalidation purposes (copyright protection)
  • Format conversions for 16:9 and 4:3 as well as vice versa

Sound Post-production

Since the late 1990s, sound post-production has undergone significant development – not only in terms of techniques and technology, but also in regards to the discovery of new methods of creating and processing sound itself. In cooperation with award-winning Barrandov Sound s.r.o.